Piano Gems from Latin America with Ana Lourdes Rodríguez
May 2 at 2:00 pm

- Program
35 Cuban Danzas Ignacio Cervantes (1847–1905)
Se Fue Y No Volvio (They Left and Did Not Return)
Un Recuerdo (A Memory)
Improvisada (Improvised)
La Celosa (The Jealous Woman)
No Baile Mas (Don’t Dance Anymore)
Por Que (Why)
La Invitacion (The Invitation)
Cri Cri (Cri Cri)
Amen (Amen)
Interrumpida (Interrupted)
La Cortesana (Lady in Waiting)
Amistad (Friendship)
La Encantadora (The Enchantress)
Tres Golpes (Three Strikes)
Gran Señora (The Great Lady)
No Llores Mas (Don’t Cry Anymore)
Mensaje (Message)
Picotazos (Pecks)
Vuelta al Hogar (Return Home)
Tiene Que Ser (It Must Be)
Illusiones Perdidas (Lost Illusions)
Pst (Whisper)
Siempre Si (Always Yes)
Zig- Zags (Zig-Zags)
Decision (Decisión)
No Me Toques (Don’t Touch Me)
Duchas Frias (Cold Showers)
Te Quiero Tanto (I love you so much)
Intima (Intimate)
Homenaje (Homage)
El Velorio (The Wake)
Lejos De Ti (Far Aways From You)
La Glorieta (The Roundabout)
Adios A Cuba (Farewell To Cuba)
Almendares (Almendares)
Dream Fragments (New York Premiere) Ana Rodriguez (1980- )
Afro Cuban Danzas Ernesto Lecuona (1895–1963)
Danza Lucumi
La Comparsa
From Suite Andalucia
Cordoba
Gitanerias
Malagueña
- with Ana Lourdes Rodriguez, piano
Pianist and composer Ana Lourdes Rodríguez is recognized for her distinctive voice in the repertoire of Latin America. She has appeared in recital at Carnegie Hall and has performed throughout the United States, Europe, Canada, and Latin America, earning praise for interpretations that combine rhythmic vitality with lyrical depth.
As a soloist, she has performed with orchestras including the Querétaro Symphony Orchestra and the Symphony of the Americas, among others. Deeply committed to expanding the presence of Latin American piano music on international stages, Rodríguez maintains the complete Danzas Cubanas of Ignacio Cervantes in her repertoire, with a full recording release scheduled for March.
At Bargemusic she presents an evening of piano gems from Latin America, featuring music by Cervantes, Lecuona, and Ginastera, culminating in the New York premiere of her work Dream Fragments.
Her artistic work centers on illuminating the richness, elegance, and expressive range of Latin American concert repertoire for modern audiences.