BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Bargemusic - ECPv4.6.22.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Bargemusic X-ORIGINAL-URL:https://www.bargemusic.org X-WR-CALDESC:Events for Bargemusic BEGIN:VEVENT DTSTART;TZID=America/New_York:20260801T140000 DTEND;TZID=America/New_York:20260801T140000 DTSTAMP:20260809T095703 CREATED:20260324T195015Z LAST-MODIFIED:20260725T222958Z UID:7950-1785592800-1785592800@www.bargemusic.org SUMMARY:Vienna Meets Bohemia: Haydn "Jacob's Ladder" and Dvořak "Dumky" Piano Trios with Mark Peskanov\, Evan Drachman\, and Doris Stevenson DESCRIPTION:\n \n \n \n \n \n \n \n \n \n \n \n \n \nHaydn Piano Trio No. 41 in E-flat minor\, Hob. XV:31\, “Jacob’s Ladder”\n\nAndante cantabile\nAllegro (ben moderato)\n\n\nBruch Kol Nidrei for cello and piano\, Op. 47\nDvořak Piano Trio No. 4 in E minor\, Op. 90\, “Dumky”\n\nLento maestoso — Allegro quasi doppio movimento\nPoco adagio — Vivace non troppo — Vivace\nAndante — Vivace non troppo — Allegretto\nAndante moderato — Allegretto scherzando — Quasi tempo di marcia\nAllegro\nLento maestoso\n\n\n\nwith Mark Peskanov\, violin; Evan Drachman\, cello; Doris Stevenson\, piano \n \n \n \n \n \n \n \n \n \n URL:https://www.bargemusic.org/concert/vienna-meets-bohemia-piano-trios-of-haydn-brahms-and-dvorak-with-mark-peskanov-evan-drachman-and-doris-stevenson/ LOCATION:NY END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260802T140000 DTEND;TZID=America/New_York:20260802T140000 DTSTAMP:20260809T095703 CREATED:20260324T195332Z LAST-MODIFIED:20260325T191115Z UID:7953-1785679200-1785679200@www.bargemusic.org SUMMARY:Horszowski Trio: NY Premiere of Jan Swafford's "They That Mourn" (in memory of 9/11)\, and more DESCRIPTION:\n \n \n \n \n \n \n \n \n \n \n \n \n Horszowski Trio \n\nHaydn Piano Trio in E Minor\, Hob. XV:12\n\nAllegro moderato\nAndante\nRondo. Presto\n\n\nJan Swafford (They That Mourn)\, in commemoration of 9/11\nShostakovich Piano Trio No. 2 in E minor\, op. 67\n\nAndante — Moderato\nAllegro con brio\nLargo\nAllegretto — Adagio\n\n\n\nwith Horszowski Trio: Jesse Mills\, violin; Ole Akohoshi\, cello; Rieko Aizawa\, piano \n\nJan Swafford is an acclaimed American composer and music biographer educated at Harvard and the Yale School of Music. Known for his “New Romantic” style\, his music is performed internationally. Swafford is highly regarded for his definitive biographies of composers\, including Ives\, Brahms\, Mozart\, and the bestseller Beethoven: Anguish and Triumph. Born in 1946\, he earned a D.M.A. from Yale and has taught at institutions including Boston Conservatory and Tufts. His biographies\, often named New York Times Critics’ Choices\, are noted for blending meticulous research with engaging narrative. He won the PEN/Winship Award for his Charles Ives biography.  An award-winning composer (NEA grant recipient)\, his works often explore landscape and nature. He is a recognized music journalist\, contributing to Slate and the Boston Globe\, and a preconcert lecturer for the Boston Symphony Orchestra.”\n\nGiving performances that are “lithe\, persuasive” (The New York Times)\, “eloquent and enthralling” (The Boston Globe)\, and described as “the most compelling American group to come on the scene” (The New Yorker)\, the Horszowski Trio has quickly become a vital force in the international chamber music world since their formation in 2011.  In 2023\, the “Horszowski Trio Prize” was created by the prestigious Fischoff National Chamber Music Competition\, to award piano trio winners. \nIn 2019\, the Horszowski Trio made its London debut in a sold-out concert presented by Wigmore Hall.  Their success led to a 21-concert-tour in Germany in 2022\, acclaimed by major critics: “This ensemble can play anything.”; “With all the intensity of the expression that the three musicians achieve\, they play in a finely tuned manner\, span gripping musical arcs\, work out surprising details\, amaze with their interpretive imagination and stylistically confident sensitivity.”; “While listening to their Dvorak Dumky Trio\, you couldn’t believe that it was not a Czech but an American ensemble playing.” \nThe Trio takes its inspiration from the musicianship\, integrity\, and humanity of the pre-eminent pianist Mieczysław Horszowski (1892–1993); the ensemble’s pianist\, Rieko Aizawa\, was Horszowski’s last pupil at the Curtis Institute in Philadelphia.  Described as “power players” by the Los Angeles Times\, the Horszowski Trio’s repertoire includes works by many of the composers with whom Mr. Horszowski had personal interaction\, including Gabriel Fauré\, Enrique Granados\, Bohuslav Martinů\, Maurice Ravel\, Camille Saint-Saëns and Heitor Villa-Lobos.  \nThe Horszowski Trio’s debut recording – an album of works by Gabriel Fauré\, Camille Saint-Saëns\, and Vincent d’Indy on the Bridge label – was released in 2014 and dedicated to the memory of Mieczysław Horszowski.  Gramophone praised the “exemplary performance” of the “highly accomplished group\,” concluding\, “I long to hear more of the Horszowski Trio.”   Their second recording\, the complete piano trios of Robert Schumann on AVIE Records also received tremendous acclaim: “great care and affection” (BBC Radio); “intoxicating” (Gramophone); “exciting and deeply felt” (Strings); “fresh\, supple and fantastic” (The Strad). \nThe Horszowski Trio is also a passionate advocate for the music of our time.  Following their recording of the complete R. Schumann piano trios\, they celebrated the 10th anniversary of their debut\, presenting “Phantasiestücke Project – Homage to R. Schumann” with three new works by American composers from different generations: Derek Bermel\, Paul Chihara and David Fulmer.  In addition\, the Trio’s violinist Jesse Mills\, a two-time Grammy nominee who is also a composer and arranger\, wrote “Painted Shadow” for the ensemble; the work was commissioned by and premiered at Bargemusic in Brooklyn\, New York. \nThey worked closely with the legendary composer\, Charles Wuorinen (1938-2020) when they performed his Trio No.1 in their debut concert at the 92nd Street Y in New York City.  They aimed to continue their working relationship with the composer\, but unfortunately Mr. Wuorinen passed away in 2020 unexpectedly.  However\, a year later\, the score of his Trio No. 2 which had been written for the Horszowski Trio was discovered by his partner.  The trio gave the world premiere of the work at the Library of Congress in 2025. ​ \nDuring the COVID pandemic\, the trio managed to keep performing\, including a special project of several performances of Morton Feldman’s epic\, two-hour-long Piano Trio — an artistically rewarding and timely work which offered an opportunity for poignant reflection on the isolation of the times and a hopeful and spiritual oasis.  That led to their recent repeat performance of the work in celebration of Feldman’s 100th Anniversary.  They performed on his actual 100th birthday\, January 12\, 2026 at State University of New York in Buffalo\, where he taught and composed the work. \nThe Horszowski Trio is based in New York City.  They are also passionate about working with the next generation of musicians.  In addition to giving masterclasses at major conservatories\, they work with Horszowski Trio Prize winning groups every year at the Mimir Festival\, they have been active as a visiting ensemble-in-residence at such schools as the Eastman School of Music\, University of Michigan\, and Longy School of Music.  They also have a partnership with the Midori & Friends Foundation\, working with the young musicians of New York City. \n\n\n \n \n \n \n \n \n \n \n \n URL:https://www.bargemusic.org/concert/horszowski-trio/ LOCATION:NY END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260808T140000 DTEND;TZID=America/New_York:20260808T140000 DTSTAMP:20260809T095703 CREATED:20260324T201654Z LAST-MODIFIED:20260716T233148Z UID:7958-1786197600-1786197600@www.bargemusic.org SUMMARY:Handel\, Bach\, Brahms\, Mozart-Kreisler\, Schubert: favorite violin and piano works with Mark Peskanov and Maureen Volk DESCRIPTION:\n \n \n \n \n \n \n \n \n \n \n \n \n \nHandel Sonata No. 4 in D Major\, Op. 1\, No. 13\, HWV 371\n\n\n  I. Affettuoso      II. Allegro      III. Larghetto      IV. Allegro\n\n\n\n\nBach selections from the Sonatas and Partitas for Solo Violin\n\n  \n\nBrahms Sonata No. 3 in D minor\, Op. 108\n\n      I. Allegro      II. Adagio      III. Un poco presto e con sentimento      IV. Presto agitato\n\n\n\n  \n\nMozart-Kreisler Rondo from Haffner Serenade K. 250\n\n  \n\nSchubert Rondo Brillant in B minor\, D. 895\n\nwith Mark Peskanov\, violin and Maureen Volk\, piano \n \n \n \n \n \n \n \n \n \n URL:https://www.bargemusic.org/concert/handel-bach-brahms-mozart-kreisler-schubert-favorite-violin-and-piano-works-with-mark-peskanov-and-maureen-volk/ LOCATION:NY END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260809T140000 DTEND;TZID=America/New_York:20260809T140000 DTSTAMP:20260809T095703 CREATED:20260325T001326Z LAST-MODIFIED:20260716T233136Z UID:7961-1786284000-1786284000@www.bargemusic.org SUMMARY:Complete Beethoven Piano Sonatas with Conversation: Part 4\, "The Experiments of the Great Transition" DESCRIPTION:\n \n \n \n \n \n \n \n \n \n \n \n \n Complete Beethoven Piano Sonatas\, Part 4 \n“The Experiments of the Great Transition” \nSonata in A-flat major\, Op. 26 (“Funeral March”)\n      I. Andante con variazioni      II. Scherzo: Allegro molto      III. Marcia funebre sulla morte d’un eroe      IV. Allegro [1\, 2]\n\nSonata No. 1 in E-flat major\, Op. 27\, No. 1 (“Quasi una Fantasia”)\n      I. Andante – Allegro – Andante      II. Allegro molto e vivace      III. Adagio con espressione      IV. Allegro vivace\n\nSonata No. 2 in C-sharp minor\, Op. 27\, No. 2 (“Moonlight”)\n      I. Adagio sostenuto      II. Allegretto      III. Presto agitato\n\nSonata in D major\, Op. 28 (“Pastorale”)\n      I. Allegro      II. Andante      III. Scherzo: Allegro vivace      IV. Rondo: Allegro ma non troppo\nwith Jeffrey Swann\, piano \n \n \n \n \n \n \n \n \n \n URL:https://www.bargemusic.org/concert/complete-beethoven-piano-sonatas-with-conversation-part-4/ LOCATION:NY END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260815T140000 DTEND;TZID=America/New_York:20260815T140000 DTSTAMP:20260809T095703 CREATED:20260324T235523Z LAST-MODIFIED:20260706T024047Z UID:7967-1786802400-1786802400@www.bargemusic.org SUMMARY:Philip Glass and Franz Schubert with Vivien Schweitzer\, piano DESCRIPTION:\n \n \n \n \n \n \n \n \n \n \n \n \n Music of Philip Glass and Franz Schubert\n\nPhilip Glass: Etude No 1\nPhilip Glass: Etude No 16\nSchubert Impromptu No 1 (Op. 90) \n\n  \n\n\n\nPhilip Glass: Etude No 2\nPhilip Glass: Etude No 8\nSchubert Impromptu No 3 (Op. 90) \n\n  \n\nPhilip Glass: Etude No 6\nPhilip Glass: Etude No 11\nSchubert Impromptu No 4 (Op. 90) \n\n  \n\n\n\nwith Vivien Schweitzer\, piano\n\n \n \n \n \n \n \n \n \n \n URL:https://www.bargemusic.org/concert/philip-glass-and-franz-schubert-with-vivien-schweitzer-piano/ LOCATION:NY END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260816T140000 DTEND;TZID=America/New_York:20260816T140000 DTSTAMP:20260809T095703 CREATED:20260324T235921Z LAST-MODIFIED:20260324T235921Z UID:7970-1786888800-1786888800@www.bargemusic.org SUMMARY:Faliks Plays Schumann and Faliks DESCRIPTION:\n \n \n \n \n \n \n \n \n \n \n \n \n Works of Schumann and Inna Faliks \nwith Inna Faliks\, piano \nDescribed by The New Yorker as “adventurous and passionate\,” Ukrainian-born pianist Inna Faliks is recognized as one of the most poetic and versatile artists of her generation. Known for commanding performances of the standard repertoire\, as well as innovative interdisciplinary projects\, she has built a music life defined by passion\, sincerity\, intellectual depth and creative curiosity.\n\nFaliks has performed thousands of recitals throughout the United States\, Asia\, Europe and the Middle East. She has appeared at many of the world’s leading venues including Carnegie Hall\, Alice Tully Hall\, National Gallery of Art\, Salle Cortot in Paris\, Moscow’s Tchaikovsky Hall\, Beijing Center for the Performing Arts  and other major halls across China\, Oji Hall in Japan and major festivals such as Ravinia\, Verbier\, Gilmore\, Newport Classical.\n\nSince her acclaimed debut with the Chicago Symphony\, Faliks has remained a sought-after concerto soloist with leading orchestras in the US and abroad in a variety of of works spanning from Beethoven’s complete piano concerti to Clara Schumann\, Florence Price\, Paul Schoenfield\, and Rachmaninoff.\n\nHer interdisciplinary performances include her one-woman show\, the monologue-recital “Polonaise-Fantasie\, the Story of a Pianist” and her long-running poetry and music project\, Music/Words\, which features living poets. She is a committed chamber musician\, collaborating with major artists such as Rachel Barton Pine\, Gilles Apap\, Wendy Warner\, Hila Plitmann and many others.\n\nA defining element in her artistry is her commitment to contemporary music. Numerous composers have written works specifically for her\, and she has given many world premieres.  In 2024\, she premiered Clarice Assad’s “Lilith” Concerto\, which Assad wrote for her. In the 2025-26 season\, she gave the world premiere of Gabriel Prokofiev’s Concerto for Minimoog Synthesizer and Orchestra with Orquestra Sinfonica do Porto Casa da Musica – the first and only concert pianist in the world to appear on stage as a virtuoso of the Minimoog Synthesizer in a concerto format.\n\nShe is a prolific recording artist\, with albums ranging from Schumann\, Beethoven and Rachmaninoff to innovative projects such as Reimagine Beethoven and Ravel\, 9 premieres and the most recent Manuscripts Don’t Burn\, featured on NPR’s Morning Edition.\nFaliks is an acclaimed author\, with a recently published memoir “Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage” (Bloomsbury\, 2023) and articles in The Washington Post and the Los Angeles Times.\n\nShe serves as professor of piano and head of piano at The UCLA Herb Alpert School of Music\, mentoring the next generation of artists. A Yamaha Artist and internationally respected performer\, Inna Faliks continues to shape today’s piano landscape with vision\, depth and expressive power.\n \n \n \n \n \n \n \n \n \n URL:https://www.bargemusic.org/concert/faliks-plays-schumann-and-faliks/ LOCATION:NY END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260822T140000 DTEND;TZID=America/New_York:20260822T140000 DTSTAMP:20260809T095703 CREATED:20260325T002742Z LAST-MODIFIED:20260716T231413Z UID:7975-1787407200-1787407200@www.bargemusic.org SUMMARY:Epic: Violin and Piano Sonatas of Prokofiev\, Strauss\, and Beethoven DESCRIPTION:\n \n \n \n \n \n \n \n \n \n \n \n \n \nProkofiev Sonata No. 1 in F minor for violin and piano\, Op. 80\n\nAndante assai\nAllegro brusco\nAndante\nAllegrissimo – Andante assai\nAllegro\, ma non troppo\n\n\n\n  \n\nStrauss Sonata in E-flat Major for violin and piano\, Op. 18\n\nAllegro\, ma non troppo\nImprovisation: Andante cantabile\nFinale: Andante – Allegro\n\n\n\n  \n\nSchubert Fantasy in C Major for violin and piano\, Op. Posth. 159\, D. 934\n\nAndante molto\nAllegretto\nTema e Variazioni — Andantino-Adagio\nTempo I\nAllegro vivace\nAllegretto\nPresto\n\n\n\nwith Mark Peskanov\, violin\, and Asiya Korepanova\, piano \n\n\nThe pianist who performed the complete Rachmaninoff solo piano works within the composer’s 150th-anniversary year in 2023\, Asiya Korepanova is a pianistic powerhouse hailed as a “tremendously gifted pianist who exhibits a singular affinity for Rachmaninoff’s Russian romantic idiom and possesses the blazing technique to fully realize his distinctive scores” (South Florida Classical Review)\, who is also highly recognized as a composer\, visual artist\, and poet. \nA herald of an enormous repertoire encompassing over 60 piano concertos and solo works ranging from early Baroque period to music of living composers\, Asiya is a quintessential completist. \nShe finds unique joy in performing collections of works such as the 24 Liszt Etudes or the entire Well-Tempered Clavier by Bach. Her emotionally charged and colorfully nuanced performances have gained her the admiration of audiences and resulted in many repeat engagements. \nAsiya\, a pianist and composer\, draws her musical inspiration from the legacy of Dmitry Shostakovich\, having studied composition under his direct disciple\, Albert Leman. \nShe is the author of original works in multiple genres and instrumentations. Her historic solo piano transcriptions of Richard Strauss’ ‘Ein Heldenleben’\, Rachmaninoff’s Cello Sonata\, Tchaikovsky’s ‘Manfred’ Symphony\,  Mussorgsky’s ‘Songs and Dances of Death’ have placed her among today’s formidable transcribers\, and attracted attention of  world-renown pianists such as Lang Lang and Polina Osetinskaya\, who commissioned and recorded Asiya’s transcriptions. \nThe most recent composition events include the world premiere recording of Asiya’s concerto for alto saxophone and piano\, Poéme\, performed by Thomas Giles and Liana Pailodze Harron; the publication of her transcription of Rachmaninoff’s cello sonata; the premiere of her Piano Quintet ‘I marvel at the sky’\, commissioned by the Third Dimension Music Festival; and the premiere of Con Brio for two pianos\, performed with her duo partner Ilya Kazantsev as a part of the Dranoff Two Piano Foundation series. \nAn avid chamber musician\, Asiya collaborates with a wide array of musicians\, such as David Shifrin\, the Balourdet Quartet\, the Hermitage Piano Trio\, Milena Pajaro-van de Stadt\, Rodney Marsalis\, Julian Schwarz\, Eleni Katz\, Irina Muresanu\, and Alexander Fiterstein. She regularly performs as part of the ’88 by 20′ piano duo with her friend and former classmate\, Grammy-nominated pianist Ilya Kazantsev. \nUninhibited in her artistic expression\, Asiya is also sought after her work as a visual artist and poet. Her multimedia projects featuring original poetry and visual art serve as interpretive commentary for a particular cycle of piano works. These cycles include Liszt’s Transcendental Etudes\, Bach’s Well-Tempered Clavier\, Tchaikovsky’s 18 Morceaux\, Op. 72\, and\, most recently\, Mussorgsky’s Pictures at an Exhibition. Asiya’s live performances of these compositions have astounded audiences and organizers alike. \n  \nAmerican virtuoso violinist and artistic visionary Mark Peskanov\, Artistic Director of Bargemusic\, was born in Odessa. Peskanov sang before he could walk or talk\, and soon became a star violin student at the famed Stolyarsky school. At fifteen\, he emigrated to the United States\, where he was immediately accepted at the Aspen Music Festival and the Juilliard School. \nHis phenomenal facility and musicianship won him both the Aspen and Juilliard concerto competitions\, bringing him to the notice of Isaac Stern and Mstislav Rostropovich and rocketing him into the top echelons of the music world. Upon his debut with the Chicago Symphony\, the Chicago Tribune called him a “sensational soloist.” The Cleveland Plain Dealer proclaimed\, “Violinist Adds Glory to Odessa” and the New York Times declared\, “Mark Peskanov is a tremendous young violinist and his Friday evening concert at Carnegie Hall was a triumph…He has it all—technique\, temperament\, and taste.” \nPeskanov is a staunch champion of American composers. He premiered the John Williams Concerto with the St. Louis Symphony\, and the Stanley Wolfe Concerto (written for Peskanov) with the New York Philharmonic. He has performed more than fifty concertos with virtually every major U.S. orchestra and in Europe\, the Middle East\, Australia\, South America and Japan. Peskanov’s major accolades include the Avery Fischer Career Grant\, the first Frederick R. Mann Award\, and Carnegie Hall’s first Isaac Stern Award. \n\n \n \n \n \n \n \n \n \n \n URL:https://www.bargemusic.org/concert/epic-violin-and-piano-sonatas-of-prokofiev-strauss-and-beethoven/ LOCATION:NY END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260823T140000 DTEND;TZID=America/New_York:20260823T140000 DTSTAMP:20260809T095703 CREATED:20260325T002933Z LAST-MODIFIED:20260716T233503Z UID:7984-1787493600-1787493600@www.bargemusic.org SUMMARY:Beethoven Complete Piano Sonatas with Conversation\, Part 5: "The Transition to Heroism" DESCRIPTION:\n \n \n \n \n \n \n \n \n \n \n \n \n Beethoven Complete Piano Sonatas with Conversation\, Part 5 \n“The Transition to Heroism” \nSonata in G major\, Op. 31\, No. 1\n      I. Allegro vivace      II. Adagio grazioso      III. Rondo: Allegretto – Presto\n\n\nSonata in D minor\, Op. 31\, No. 2 (“Tempest”)\n      I. Largo – Allegro      II. Adagio      III. Allegretto\n\n\nSonata in E-flat major\, Op. 31\, No. 3\n      I. Allegro      II. Scherzo: Allegretto vivace      III. Menuetto: Moderato e grazioso      IV. Presto con fuoco\n\n\nSonata in C major\, Op. 53 (“Waldstein”)\n      I. Allegro con brio      II. Introduzione: Adagio molto      III. Rondo: Allegretto moderato – Prestissimo\n\nwith Jeffrey Swann\, piano \n \n \n \n \n \n \n \n \n \n URL:https://www.bargemusic.org/concert/beethoven-complete-piano-sonatas-with-conversation-part-5/ LOCATION:NY END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260829T140000 DTEND;TZID=America/New_York:20260829T140000 DTSTAMP:20260809T095703 CREATED:20260325T004907Z LAST-MODIFIED:20260620T232843Z UID:7987-1788012000-1788012000@www.bargemusic.org SUMMARY:Dancing with Fauré DESCRIPTION:\n \n \n \n \n \n \n \n \n \n \n \n \n “Dancing with Fauré”\n\nBach Selections from Six Sonatas and Partitas for Violin Solo\, BWV 1001-1006\nBartók Selections from 44 Duos for 2 Violins\, Sz. 98\nSibelius Five Pieces for Violin and Piano\, Op. 81\n\nMazurka\nRondino\nValse\nAubade\nMenuetto\n\n\n\n\nFauré Piano Quartet No. 1 in C minor\, Op. 15\n\nAllegro molto moderato\nScherzo: Allegro vivo\nAdagio\nAllegro molto\n\n\n\nwith Mark Peskanov\, violin; Margo Shohl\, viola; Noah Chen\, cello; Doris Stevenson\, piano \n \n \n \n \n \n \n \n \n \n URL:https://www.bargemusic.org/concert/mind-heart-and-soul-the-violin-concerto-across-three-centuries-with-mark-peskanov-and-semplice-players/ LOCATION:NY END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260830T140000 DTEND;TZID=America/New_York:20260830T140000 DTSTAMP:20260809T095703 CREATED:20260325T005016Z LAST-MODIFIED:20260620T233001Z UID:7990-1788098400-1788098400@www.bargemusic.org SUMMARY:Dancing with Fauré DESCRIPTION:\n \n \n \n \n \n \n \n \n \n \n \n \n “Dancing with Fauré”\n\nBach Selections from Six Sonatas and Partitas for Violin Solo\, BWV 1001-1006\nBartók Selections from 44 Duos for 2 Violins\, Sz. 98\nSibelius Five Pieces for Violin and Piano\, Op. 81\n\nMazurka\nRondino\nValse\nAubade\nMenuetto\n\n\n\n\nFauré Piano Quartet No. 1 in C minor\, Op. 15\n\nAllegro molto moderato\nScherzo: Allegro vivo\nAdagio\nAllegro molto\n\n\n\nwith Mark Peskanov\, violin; Margo Shohl\, viola; Noah Chen\, cello; Doris Stevenson\, piano \n \n \n \n \n \n \n \n \n \n URL:https://www.bargemusic.org/concert/mind-heart-and-soul-violin-concerto-across-three-centuries-with-mark-peskanov-and-semplice-players/ LOCATION:NY END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260905T140000 DTEND;TZID=America/New_York:20260905T140000 DTSTAMP:20260809T095703 CREATED:20260324T013558Z LAST-MODIFIED:20260624T142657Z UID:7893-1788616800-1788616800@www.bargemusic.org SUMMARY:Labor Day Here and Now Weekend: Ensemble Dérive DESCRIPTION:\n \n \n \n \n \n \n \n \n \n \n \n \n ENSEMBLE DÉRIVE is a collective of young musicians – the first of its kind –  dedicated to the music of our time. The artists speak fluently about these complex works with the audience and deliver world-class performances. ENSEMBLE DÉRIVE will present contemporary music including world premieres\, led by co-directors David Fulmer and Laurentia Woo. \nEnsemble Dérive\n\n\nElliott Carter – Fragments for String Quartet (1994/99)\nPierre Boulez – Dérive (1984)\nAugusta Read Thomas – Scat (2007)\nIgor Stravinsky – Three Pieces for String Quartet (1914/18)\nElliott Carter – Con Leggerezza Pensosa (1990)\nNew Work To Be Premiered (2026)\n\nAlyson Lee\, Flute \nMichael Sun\, Clarinet\nTaige Wang\, Piano\nLarissa Lakner\, Cello\nDavid Fulmer\, Conductor\, Violinist\, and Director\n\nElliott Carter – Fragments for String Quartet (1994/99)\nPierre Boulez – Dérive (1984)\nAugusta Read Thomas – Scat (2007)\nIgor Stravinsky – Three Pieces for String Quartet (1914/18)\nElliott Carter – Con Leggerezza Pensosa (1990)\nNew Work To Be Premiered (2026)\n  \n  \n \n \n \n \n \n \n \n \n \n URL:https://www.bargemusic.org/concert/labor-day-here-and-now-weekend-ensemble-derive/ LOCATION:NY END:VEVENT END:VCALENDAR